Good public speaking involves a balance between the.While the historical practices of elocution have changed, the current practices remind speakers to concentrate on nonverbal communication, the body, and visual rhetoric (Munsell, 2011, p. 17). Like we mentioned, public speaking is highly embodied, and experiencing information through a person and through their body is highly sensational and artistic.As a speaker, you will make aesthetic choices—based on verbal delivery, for example— that create an overall experience for the audience.Creating an aesthetic experience means setting the scene and stage for your audience to feel good or bad; to move your audience toward something by motivating them to act or think. With a vast spectacle of blues, violets, yellows, reds are warmly cast across the skyline, sunsets are a sensory experience with immense beauty. (adjective) An example of someone who is aesthetic might be an artist. We use our style to deliver information that informs and influences others.In rhetoric, style and delivery are similar—style asks that you consider how to present your information to the specific audience that you’re speaking. We’ll dive more into this below. Delivery is the mechanics used to convey a message rather than the words itself. But all such decorative flourishes can very easily be redeemed by the feeling behind the occasion. The word aesthetic is an adjective. When you audience a speech and are left with a felt sense, you might ask, “What created that experience?” “What decisions were made that led to that sensation?” Aesthetics allows us to think through the sensations created through art.You may not view public speaking as an art, but public speaking’s history is grounded in viewing speaking— what we say and how we say it—as an art form.those qualities are what allowed passions and emotions to be communicated (Goldsbury and Russell, 1844). In classical rhetoric, an eloquent speaker was a credible speaker, so delivery was an important part of the public speaking process.However, similar to elocution, delivery doesn’t fully describe the embodiment of a speech or the experience that’s created. But the chilly excesses of Melania’s Christmas decorations and the ghostly abstraction of these videos reveal just how much further outside all such nonproprietary conventions the Trumps are than previous inhabitants of the White House have been.The blank and baffling overstatement of it—the First Lady personally sifting plastic dandruff onto a spruce, as one does, the simultaneous clutter and emptiness, the combination of voluminousness and absence—might be poignant under other circumstances. The speech she gave at the 2016 Republican National Convention, which … Trumpism: An aesthetic . Of course there’s too much of it. In Chapter 1, we asked that you picture your favorite public speaker. They’re things that,To observe that Melania’s Christmas videos—,Melania Trump has long been a reliable source of chaotic and fascinating moments in Trumpian aesthetics. Aesthetic: very pleasing to look at. As an audience, you can contribute in aesthetically meaningful ways.So far, you should have a working vocabulary around aesthetics and creating an aesthetic experience for your audience.The following chapters in Part 3 are deeper investigations around categories of aesthetics in public speaking.
Some are a bit much, and others reflect various limitations in terms of production value or personal interest. What’s happening? What language choices did they make?
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