By Carrie Lewis in Art Tutorials > Drawing Tips Colored pencils are wonderful tools for creating artwork of all types. are:Background too dominant for the rest of the picture? Coloring the background can help lift a design from the page. We collected 39+ Background Drawing Ideas paintings in our online museum of paintings - PaintingValley.com.All rights to paintings and other images found on PaintingValley.com are owned by their respective owners (authors, artists), and the Administration of the website doesn't bear responsibility for their use. . We would love to see a video on this .Do you want to try and experience the benefits of coloring for adults? Today I’m continuing my Art Journaling 101 series with backgrounds. Thank you for what you have shared so far! This approach gives a softer, more expressive and atmospheric feel to the drawing than using the starker white on dark background and is good for looking at the way light defines volume and mass. Images of the external world are often allegories for internal states. Whether you’re new to art journaling or it’s something you’ve been doing for years, you’re always going to need ideas for art journal page backgrounds. Art-making equipment, such as is this example by Textiles Art teacher Gayle Bicknell, which was prepared as part of a lesson for her BTEC art class at Alton College, Hampshire, UK: This topic lends itself to Jim Dine inspired charcoal still life drawings – working with a range of mixed media and textural backgrounds. What you have given is good and I enjoyed but want more.I agree with Joanne Teague, I would also like to see a video on backgrounds! Are you looking for the best images of Background Drawing Ideas? She’s developed a lovely sense of really bright light by using the colours very strongly to counter-change against the right side of the figures, leaving a halo of white around them.Then, by leaving the left side of the picture unpainted, she’s really switched on the sunlight.But look at the run-backs and cauliflowers that punctuate the background. So the background is vitally important and not just an ‘add-on’ to finish off with.Let’s have a look in this blog post at what options the artist needs to consider when thinking about backgrounds.As we progress, I thought I’d include some pictures produced as lessons by our fantastic panel of tutors, as well as some superb works produced by some of the Members. A good place to start is by blending so.You can apply the most basic form of graduated shading (see A in the picture below) by simply reducing pressure on the darker color as you move further away from the centre of the page.If you have a white pencil in your coloring set, this offers the option of smoothing your shading further. From what direction is the light source? Today we’re going to look at a few different ways you can create awesome backgrounds for the pages in your art journal in just 5 minutes. Also take a look at our.In part two of this guide to colored backdrops we will.and demonstrate some simple techniques to apply smooth backgrounds to your coloring pages quickly and with great effect!Has this guide inspired you to experiment coloring beyond the lines? well-lit or a more sombre depiction?By the way, don’t mistake high and low key for just very bright or very dark and dull.It simply means that the range of tonal values tend to be closer together in a low key version than the high key picture, where you have a greater extreme of light lights and dark darks.In these two still life compositions by Carole Massey, note how the higher-key version on the left relies on the light to lift the jug, to cast highlights on the glass and help the figs and grapes to glow.The light is also bouncing off the stone wall and tabletop. I am inspired to give this a try soon. 1. A cleverly blended background can introduce a sky to garden of flowers and the contrast of a pitch black background can make a neon coloring page zing! Previously, he showed how to draw detailed buildings. Is it going to be a high key or low key work i.e. This shows that in some designs, whilst the lines on the page make the picture, the coloring outside of the lines can set the scene!If you are in the mood, you can color the background of any page, but it is fair to say that some pages suit a background more than others. Remember the ‘background’ isn’t just what’s at the back of the picture. In this picture of a farmhouse by Joanne Boon-Thomas, I’ve removed the background clouds that she put in, blending the charcoal with her fingers.Compare this with the photo of the finished piece below where the clouds are replaced, just as she drew them.Note the difference in drama and interest Joanne created in her ‘proper’ version, with just an addition of a little smudging here and there in the sky.And while we’re with Joanne, look at this study of three mature hikers.If you’ve ever become disheartened by producing cauliflowers in your watercolour backgrounds and believe they’re automatically ruined because of it, then here's great news for you!In this study, Joanne has concentrated on using the same limited palette used in the figures to create the background.So right away, you have unity throughout the painting. A full and simple background will provide context without drawing attention away from the main subject. The yellow colour, being complementary of purple, sits ideally with the purples and blues in John’s coat and bow tie.However, sometimes you’ll want the background around portraits to give context to the subject.In this oil painting of ‘Blaze & Whizz’ I produced for a friend several years back, we wanted to capture the little devil in Whizz, who, as a puppy, was invariably into mischief, together with his long-suffering older brother Blaze, in an environment in their home that was entirely natural for them.While taking many reference photos of the dogs, it emerged that the flat leather seat was where Whizz usually retired to when he knew he was in trouble.The little yellow rubber shape just peeping out from behind the sofa was a favourite toy of both of them so that had to go in.We found an angle in the living room where there was no real clutter and the door position was correct.The pattern on the carpet was toned down and as a result, we 'found' a background that was entirely authentic from the family’s point of view but complementary and non-intrusive from an artistic perspective and compositionally, it worked well.In some cases, the composition is such that it’s hard to determine where the main elements finish and the background begins, but it’s not a big problem if you understand the process beforehand.Joanne Boon-Thomas is a wonderful exponent of loose watercolours and her vibrant floral work is rightly admired.
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