He returned to Switzerland for treatment in October 1930 but continued to correspond with the government. It had been commissioned by the Irish government in 1926 to represent the country in the League of Nations building in Geneva. The fifteen were Padraig Pearse, Lady Gregory, G B Shaw, J M Synge, Seumas O’Sullivan, James Stephens, Seán O’Casey, Lennox Robinson, W B Yeats, Liam O’Flaherty, George AE Russell, Padraic Colum, George Fitzmaurice, Seamus O’Kelly and James Joyce. Harry, born in 1889, was one of four children. If you continue to use this site we will assume that you are happy with it.Click Here to go to the Personal Histories page. In 1988 it was exhibited and sold by the Fine Art Society in London, when it was acquired for a sum ‘in excess of £100,000’12 by the Wolfsonian Foundation in Miami, Florida, where it is now displayed.Women, architecture and building in the east of Ireland, c. 1790-1840 and Borris House, Co Carlow and elite regency patronage.Nicola Gordon Bowe is Associate Fellow in the Faculty of Visual Culture at NCAD.1 Michael Laurence Clarke, ‘The Geneva Window’ in The Stained Glass of Harry Clarke 1889 – 1931 (The Fine Art Society, London 1988), n.p.2 Mary E. Daly, ‘Harry Clarke Geneva Window’, unpublished manuscript, n.d., based on file S4367A, National Archives of Ireland and the Blythe Papers in the Department of Archives, University College, Dublin. Harry Clarke, St. Gobnait Window, Honan Chapel, Cork, 1916.
After many, many months of evasions and half-truths Harry’s widow was to be allowed to buy it back for the price the Government had paid for it.’11 A year later, the window was still there, when the newly elected President De Valera noticed a first crack in it, and a year later a second crack.
He worked briefly in an architectural firm but was soon in the family firm.Joshua, a cautious but intelligent businessman, had the wit to employ first-class stained glass makers and draftsmen, and Harry was apprenticed to one of them, William Nagle, a contemporary of the painter William Osborne, who worked with the firm until his death in 1923.
In 1988, Clarke’s sons sold it to art collector Mitchell Wolfson, and it is now in the Wolfsonian Art Museum in Miami, Florida. Harry Clarke was an Irish stained-glass artist and book illustrator. Cosgrave, president of the Irish government, opened an exhibition in his Studios in North Frederick Street in 1925, Clarke was approached in 1926 to create a window for the Irish office in the International Labour Court in Geneva. His inclination towards the proliferation of detail ran the risk of simply clogging up the compositional space, but in fact allowed him to create rippling, coruscating surfaces that come to life especially, even magically, in his glass work.Abroad, there are significant works in Brisbane, Glasgow, Durham and of course Florida.Costigan and Cullen come up with a tally of 160 stained-glass works by him, which is amazing given the brief span of his working life, the fact that he was afflicted by ill-health for much of the time (he was finally diagnosed with tuberculosis in 1929), and that, after his father’s death in 1921, he took on responsibility for the studios. Censored upon completion in 1930 for the literary extracts it depicted, it was never sent to … Back in London again in August, he reported to Thomas Bodkin (appointed Director of the National Gallery of Ireland in June 1927) that W B Yeats was ‘wildly enthusiastic’ about his plan to ‘work in panels for fifteen Irish writers’, and had been ‘of tremendous help with his suggestions’ of whom to choose.8 By December, after Clarke had made some informally stipulated alterations to his drawings, radical in the case of those for Synge’s Playboy of the Western World, they were approved, and a completion date set for March 1928.The final plan was for a window consisting of eight panels illustrating a brief extract from the work of fifteen early 20th-century Irish writers.
Certainly Clarke was no conventional church decorator. 1.4.2017 - Harry Clarke:Detail from the Geneva Window showing 'The Dreamers' and 'Countess Cathleen'
‘The Geneva Window’ is the name of a stained glass window by Harry Clarke depicting scenes from Irish literature written between 1900 and 1925. William Butler Yeats assisted Harry Clarke in choosing Irish writers from which to inspire one of his finest works, the Geneva Window, only for it to … The first he had heard of this proposal was an informal letter sent from Geneva in early June 1925 by Miss Brighid Stafford, a delegate representing the Department at the League’s Annual Conference.
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