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Saint Francis in Meditation

Copia. With its restrained chiaroscuro, low-key chromatic passages and subdued contours, this Saint Francis in Meditation with Brother Leo closely resembles Honthorst’s Italian paintings and first Dutch works, dating from between 1615 and 1625.

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On a tabletop or ledge, a ceramic cup of water with delicately curved handles sits in the centre of a silver plate.

Italy covers an … There, the saint wears the same habit and contemplates a skull, but his gesture suggests a more outward conversation with God as he kneels in a landscape.Download a low-resolution copy of this image for personal use.License and download a high-resolution image for reproductions up to A3 size from the National Gallery Picture Library.This image is licensed for non-commercial use under a.The image file is 800 pixels on the longest side.As a charity, we depend upon the generosity of individuals to ensure the collection continues to engage and inspire.

Oil on canvas, 109 x 131.5 cm.

Oil on canvas, 126 x 156 cm, inv. In a letter to.This work was probably made around the same time as our other painting of Saint Francis in meditation, which Zurbarán signed and dated 1639. See Enrique Valdivieso.7.

Artist: El Greco (Domenikos Theotokopoulos) Greek, active in Spain, 1541–1614. Like Honthorst, de Coster enlivens his smooth skin tones with little patches of very white light, to which he adds a very personal glossiness.

Located in the middle of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates San Marino and Vatican City.

In a gloomy and arid scenery, San Francesco wraps a skull with his hands. The figure of Saint Francis of Assisi gained popularity during the Catholic Reformation due to his focus on penitence and religious devotion.

“Otro Quadro de dos varas en quadro d’un san franco, que esttarezando con un libro abierto y su compañero con un candil en la mano, es original d’un flamenco nº 272”, ibid., p. 893, doc. Saint Francis Kneeling in Meditation Date: 1595/1600.

Saint Francis in Meditation (c. 1604/06 or 1607/10), is a painting by the Italian master Caravaggio, in the Museo Civico, Cremona.

The skull is a symbol of death and refers to Christ’s crucifixion. He is meditating about death, considered to be the redemption from earthly life. Saint Francis in Meditation with Brother Leo, ca 1626.–  Probably sold by the artist in 1626 to the Antwerp dealer Jehan van Mechelen.Like his Caravaggist colleagues Gerard Seghers and Theodoor Rombouts, in Antwerp Adam de Coster was highly respected by his peers: Van Dyck made a portrait of him for his famous,With its restrained chiaroscuro, low-key chromatic passages and subdued contours, this,The emphasis on the holy scriptures and the presence of Brother Leo might first of all suggest the drawing up of the Second Rule – the.1. Instead, though death yawns up at him in the latter’s empty eye sockets, Saint Francis turns his face to God; lips parted in awe as he is caught in the moment of release and … His hood is pulled back and the light catches one side of his face, marking out his strong nose and pronounced cheekbone, while the other side remains in deep shadow. Focusing our attention on a single figure was in keeping with the ideas of the Counter-Reformation in his,When the National Gallery purchased this work from King Louis-Philippe’s celebrated Galerie Espagnole in 1853, the acquisition was heavily criticised.

Here, he wears a brown robe (or habit) and a rope girdle with three knots, each representing a vow of poverty, chastity and obedience; this identifies him as a member of the branch known as the Franciscan Capuchins.Zurbarán’s limited colour palette and use of a simple background setting ensure that nothing distracts us from Saint Francis’s meditation.

This is one of two paintings of almost identical measurements showing Saint Francis of Assisi contemplating a skull (see Saint Francis in Prayer) - neither is documented and both are disputed, although the dispute is as to whether they are originals or copies. His hands are marked with the stigmata, the wounds of Christ’s crucifixion, which Francis is believed to have received in 1224 during a retreat on Mount Alverna in the Apennines.Saint Francis founded the Franciscan Order in the thirteenth century.

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