His closest collaborator was the artist and poet Dieter Roth, with whom Mayer made more than 100 works, many of which are on display in this exhibition. As a student he developed the basic software for the flatbed plotter Zuse Graphomat Z64 at the Computing Center of the Technical University in Stuttgart in 1963. Retrieve full list. He is best known internationally for his contributions to the earliest manifestations of computer art, a field of computing that made its first public appearances with three small exhibitions in 1965. The exhibition also includes many breathtakingly radical typographies that Mayer created for others, sometimes in collaboration and sometimes doing exactly what they wanted.Much of the material on show was acquired in the 70s from Jasia Reichardt, a leading figure in the 60s in terms of the crossover between concrete poetry, typography and computers, who organised the Cybernetic Serendipity exhibition in 1968. Publications by Frieder Nake. He would first create a square […],Polygonal Course No. His teaching and research activities are in computer graphics, digital media, computer art, design of interactive systems, computational semiotics, and general theory of computing. As well as becoming an acclaimed concrete poet, whose works featured primarily alphanumerical elements, Mayer also typeset and printed the works of many others prominent in the international concrete poetry movement, including Eugen Gomringer, Ian Hamilton Finlay, Dom Sylvester Houédard, Franz Mon, Emmett Williams and the Brazil-based “noigandres” poets.He has consistently been associated with an internationalism of approach to cultural understanding that takes account of difference and context, yet visually communicates across borders, as with his frequent use of the Futura typeface in the 60s. 40 Category computer-generated, drawing, print, Plotter drawing, Screen print Material / Technique computer-generated graphics, plotter drawing, screen printing on paper, computer: Standard Elektrik Lorenz ER56, programming language: machine language ER56, software: custom software (»COMPART ER56«), output device: Zuse Graphomat Z64,Nr.1, Series 2.5-1 All of the prints feature compositions of small square outlines of various different colours, which are thinly applied onto white paper. Also on display are prints from Mayer’s third concrete poetry portfolio, made in the letterpress studio at Bath Academy of Art in Corsham. His book, "Ãsthetik als Informationsverarbeitung" (Springer Verlag Wien, 1974) is one of the first in the area. selected – in progress; Allenthalben Algorithmen. Page, the Bulletin of the Computer Arts Society 18: 1–2. Each composition is surrounded by a thick border of blank paper. Since 2005, he has also been teaching at the University of the Arts, Bremen. His process involved creating algorithms first, from which he generated multiple images to form different series. In some compositions the squares only have vertical and horizontal lines, while in others they are oriented at slanted angles. Their work was featured in several exhibitions at key galleries and museums, including the Whitechapel Art … Frieder Nake, matrizen multiplikationen, 1967. Announcements of events. Achten Sie dabei auf korrekte GroÃ- und Kleinschreibung der Anmeldedaten.http://www.compart.informatik.uni-bremen.de/. He first exhibited his drawings at Galerie Wendelin Niedlichin Stuttgart in November 1965. Retrieve full list. There Should Be No Computer-Art. Frieder Nake & Susan Grabowski will perform "Die Sinne und die Ideen zwischen Corona und Computer", 5 August 2020 15 Jul 20
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