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oru naal koothu review

Karunakaran and Charlie provide some of the funniest moments of the film and the latter also brings to life an aged bachelor who longs for a companion.

Really such a nice movie to watch. Oru Naal Koothu addresses marriage from the perspectives of different people. He gets some cutely written love scenes with newcomer Nivedha that he manages without a fuss.
What happens to these characters and how they connect through the theme of the film in the end forms a fun filled screenplay which also subtly drives home its message.Dinesh as Rajkumar fits the bill of a brooding IT worker trying to balance his love life and family responsibilities. Mia George and Riythvika are the two pillars who carry the movie and this is their best work till date. 'Oru Naal Koothu': Weekend (First Three Days) Box Office Predictions!IN PICS: Miss India UAE Nivetha Pethuraj Is A Huge Fan Of Ilayathalapathy Vijay! The film released on 10 June 2016 to positive reviews from critics. Raj comes from a very poor background and has a big family and endless commitments.Kavya’s father wants a better match for her and, with Raj struggling to settle down in life before marriage, things are no better for Kavya than they are for the other two girls.The film is engagingly narrated in flashbacks that move seamlessly from one character to another. Oru Naal Koothu Movie Review. The story is based on the experiences of the director and focusses on issues related to … Never felt bored with the screenplay.

She has no father and her unmarried older brother, played by Karunakaran, is desperately trying to find her a decent match.Finally, we have the modern and rich Kavya (Nivetha), who is in love with her colleague Raj (Dinesh). What works in favour of the movie is that it targets contemporary youngsters. Twitter Facebook Reddit Email Whatsapp. The film is engagingly narrated in flashbacks that move seamlessly from one character to another, says S Saraswathi. You can update your channel preference from the Settings menu in the header menu.Like a breath of fresh air comes a film about, all the hue and cry that is made about a woman and man getting together in the guise of a wedding. National Award winning editor V J Sabu Joseph gives the zig zag narration apt pacing and ensures a seamless flow throughout adding another feather to his cap. One Day's Ado) is a 2016 Indian Tamil-language romantic comedy-drama film directed by Nelson Venkatesan and produced by J. Selva Kumar, featuring Dinesh, Miya, Nivetha Pethuraj, Abhinav, and Riythvika in lead roles. She is always at loggerheads with her colleague Ramesh Tilak. Payal Ghosh: I don’t have any expectations from anyone and I don’t give a damn if they support me or not,Photos: Karisma Kapoor, Randhir Kapoor and others arrive at Kareena Kapoor Khan's birthday bash,Priyanka Chopra shows off her bangs in her latest sun-kissed selfie,Payal Ghosh’s lawyer says the actress has decided to file a police complaint against Anurag Kashyap,Sushant Singh Rajput case: AIIMS to submit a conclusive report on the actor’s death to CBI on September 22,Kareena Kapoor Khan shares self appreciation post ahead of her 40th birthday: “I want to sit back, reflect, love, laugh, forgive, forget”.Oru Naal Koothu Official Theatrical Trailer |...Oru Naal Koothu Official First Look Teaser | ...Refrain from posting comments that are obscene, defamatory or inflammatory, and do not indulge in personal attacks, name calling or inciting hatred against any community.I have seen this movie today. One of the good movies i have ever seen. Oru Naal Koothu Movie Review. Oru Naal Koothu (aka) Oru Naal Kootthu is a Tamil movie with production by Kenanya Films, direction by Nelson.

Special mention is due to another actor playing Dinesh’s colleague who brings the house down by mouthing inappropriate words during the most serious moments.Justin Prabhakaran is fast becoming one of the most promising young composers around and in ‘Oru Naal Koothu’ he gets a chance to prove himself again providing a highly complementing re-recording to the proceedings with his oft repeated Nadaswaram-Thaval theme music lingering in the ears long after leaving the theatre. Gokul’s cinematography is so neat and pleasant that it is instrumental in holding the audience attention even in a few lag sequences in the second half.

Her casual dialogue delivery of the theme of ‘Oru Naal Koothu’ in bed with Ramesh and the way in which she often switches to a cheerful voice on air after being in tears just moments ago could well be another ticket to a handful of awards. Bala Saravanan in the Santhanam mould tickles the funny bones just about every time he onscreen.

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