Meet Paolo Moretti in Cannes. He talks to James Lattimer on the eve of the festival about putting together his first selection and the ideas behind the process.My starting point was to reflect on the very nature of the Directors’ Fortnight, where it comes from, what motivated its existence and how that original setting has changed in the meantime. Paolo Moretti is set to replace Edouard Waintrop at the helm of Directors’ Fortnight, the section that runs parallel to the Cannes Film Festival, starting in 2019.
In a much anticipated interview, Paolo Moretti, the new artistic director of Cannes’ Directors’ Fortnight (the 51st edition of which will unfold from 15 to 25 May as part of the 72nd Cannes Film Festival), talks about his selection for 2019. Welcome to a platform where professionals can meet and exchange information and ideas. As the largest global film event, virtually every country in the world is waiting to find out if the dense French Riviera gathering can move forward.Though hiring a foreigner to run a national institution such as the Berlinale in Germany is rather rare, it’s been happening to other Italians lately.UK director Lucy Parker’s investigative work Solidarity wins best first appearance prize for debut features.“We depend on the commerical proposition of movie houses and they are closing down.”,“Film festivals are 80 years old — but we should not act like we’re 80 years old.”,“Maybe it’s age, but I am less and less interested in prizes and competition.”,Although the Directors’ Fortnight section of Cannes is non-competitive, prizes are awarded by its partners. The four films directed by women in the feature selection and the five among shorts ended up in the selection entirely naturally and we realised we were in line with the pledge without having had to force things or do anything artificial. The team comprises a … And choosing these more established names was hardly anything we needed to force, because they had films that were easy to include in the general spirit of the selection.Isn’t that just the perfect way to get things going? All rights reserved. Paolo Moretti is set to replace Edouard Waintrop at the helm of Directors’ Fortnight, the section that runs parallel to the Cannes Film Festival, starting in 2019. Change needs to happen progressively and across all categories.Log in here to your digital edition and archive subscription, take a look at the packages on offer and buy a subscription.©2020 British Film Institute. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.The panel took place as part of the Visions du Reel online film festival.The independent movie business still depends very largely on selling and buying individual titles. So how events react to the Covid-19 crisis is of huge interest to the industry.So far, for various stakeholders, the biggest film-industry impact of the coronavirus is either dwindling box office in China or the decision to move the new James Bond movie into the fall. However, as the number of confirmed cases worldwide inches toward 100,000 with an estimated 3,356 deaths, the most pressing question facing the international film business is the 73rd edition of the Cannes Film Festival, slated to take place May 12 – 23. Continued use of this site indicates that you accept our policy -,72nd Cannes Film Festival - Cannes, France #Cannes2019. Paolo Moretti Credit: Philippe Bertheau After working for numerous European festivals and film institutions over the last decade, including the Venice Film Festival, Italian-born, French-based Paolo Moretti was appointed March last year as the new head of Directors’ Fortnight, a parallel section that takes place during the Cannes Film Festival and was initially founded in opposition to it. Posted on April 30, 2019 by PFitzp. Paolo Moretti is set to replace Edouard Waintrop at the helm of Directors’ Fortnight, the section that runs parallel to the Cannes Film Festival, starting in 2019. Did you enjoy reading this article? Moretti will join Directors’ Fortnight for its 50th edition from the Roche-sur-Yon Festival, where he has been artistic director since 2014
I’m not interested in genre for genre’s sake, though; I’m more interested when directors borrow genre codes that they then incorporate into their own personal vision, and that’s exactly the approach taken by the films dealing with genre in this year’s selection. The latter can trigger the same concern I’ve heard various female directors express, that they’ve been selected because they are women, which for me doesn’t serve the right purpose.As I said when I signed the pledge, it’s very easy to point the finger at film festivals because they’re the most visible part of the industry, but if we really want things to evolve, a similar parity pledge should be signed by every category implied or involved in the production of a film, whether the national commissions that provide grants, the producers that select projects and so on. After working for numerous European festivals and film institutions over the last decade, including the Venice Film Festival, Italian-born, French-based Paolo Moretti was appointed March last year as the new head of Directors’ Fortnight, a parallel section that takes place during the Cannes Film Festival and was initially founded in opposition to it. This is where we are, we’re transparent, we have a gender-equal committee, we’re extremely sensitive to the question and we’re willing to go further in that direction. IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. Following its 50th edition last year, the Directors’ Fortnight turned a page when it selected its new General Manager, the Italian programmer Paolo Moretti. Directors Fortnight selector, Paolo Moretti.
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