Cardinal Matthew Contarelli commissioned this picture, provided the needed resources to help decorate it, and provided the guidelines for imprinting the name St. Mathew. His pieces inspired many Baroque artists, who also used tenebrism to great effect.Though Caravaggio started work on The Martyrdom of Saint Matthew first, he abandoned it to work on this piece instead, and likely finished this one first.Both remain in the Contarelli Chapel in Rome along with The Inspiration of Saint Matthew, which Caravaggio was commissioned to paint some time later.
There are a great many interpretations around.
St Matthew pray for us!The Catholic Chaplaincy serves the students and staff of the University of Edinburgh, Edinburgh Napier University and Queen Margaret University.The Catholic Chaplaincy is also a parish of the Archdiocese of St Andrews and Edinburgh (the Parish of St Albert the Great) and all Catholic students and staff are automatically members of this parish.Follow us for news updates and inspiration. Matthew sits at a table with four other men, when Jesus enters the room accompanied by Saint Peter and points to Matthew, summoning him to his cause.There is, however, some debate over which figure in the painting is actually Matthew. On the table there is an a ledger, an inkwell and a small money bag. The way St Peter’s hand echoes that of Christ might be intended as an allusion to role of Clement in the conversion of Henry of Navarre.Having said this, there are about 40,000 books written about Caravaggio and a great deal has been written about this painting. According to the story Matthew rose and followed him. These pieces brought Caravaggio renown throughout Rome for his use of dramatic lighting and realism, which represented a departure from the Mannerist style that had dominated up to that point.This piece shows the moment that Jesus called Matthew to follow him. The Calling of St Matthew. Both were completed between 1599 and 1600 and painted in oil on canvas. Nowadays, it is rare for him to do so by literally walking into your life, but that is what he did with St. Matthew.
St Matthew points a finger towards himself as if unsure that Christ really means him. Buy Caravaggio Prints Now from Amazon. But here is one I like. Does St Matthew’s ambiguous pose say something about Caravaggio who, whilst living in the Palazzo of a Cardinal, was never far from the dark deeds of the Roman streets? Website design by,St Albert's Catholic Chaplaincy is part of,https://en.wikipedia.org/wiki/The_Calling_of_St_Matthew_(Caravaggio),the English Province of the Order of Preachers.
This is the counting house where Jesus saw Matthew sitting (Mat 9:9). Both were completed between 1599 and 1600 and painted in oil on canvas. Perhaps this very ambiguity holds out the possibility of conversion for anyone, as indeed, does the Gospel account of Matthew the tax collector turned Apostle. One of the most significant moments in the Papacy of Clement VIII was the conversion the Huguenot Henry IV of Navarre to Catholicism and the consequent peace brokered between Spain and France. To my eye, he looks as if he has out grown them.
Its companion piece is The Martyrdom of Saint Matthew. These same young men appear in earlier works such as “The Cardsharps” or “The Fortune Teller”. The Calling of Saint Matthew illustrates the passage in the Gospel of Matthew (Matthew 9:9), when Jesus went into the custom house, saw Matthew at his seat and called to him, "Follow me". The other two look towards Christ and his companion. Caravaggio used his by-now-established method, setting both episodes in the present day and painting directly from live models posed in mise-en-scènes of his own devising.
St Peter is not mentioned in the gospel accounts of the call of St Matthew but here his hand also beckons to St Matthew. This painting was for the left wall so that the direction of the light is from the back wall of the chapel where in fact there is a real window a bit higher up. Still others posit that Caravaggioâs painting is intentionally ambiguous.The use of tenebrism, sharply contrasting light and shadow, is particularly effective in this work.The light shining through the window behind Jesus on to the awe-inspired faces of the men he addresses imparts to him a divine quality.Caravaggio used this technique extensively in his work to draw focus and create drama.
“Follow me,” he told him, and Matthew got up and followed him. By contrast, Christ and St Peter are barefoot and dressed in the timeless garments of classical art. It is just above Christ’s extended hand. Other articles where The Calling of St. Matthew is discussed: Caravaggio: The Contarelli Chapel and other church commissions: The subjects prescribed were The Calling of St. Matthew and The Martyrdom of St. Matthew. The Calling of Matthew (). The dramatic light divides the canvas into four sections and has the effect of lending prominence to the window and its enclosed cross.
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