Here Pierre-Auguste Renoir presents a fashionable couple at the opera. We are also left to guess as to the relationship between the two figures. Yellow is used most clearly on her jewellery, picking out the light reflecting on the pearls. It also served to draw attention to the exuberant styles of their female companions.Fashion was vital to the economy and came to form an icon of French national identity. The man was his brother Edmond, a journalist and art critic. At the time of,Pierre-Auguste Renoir (1841-1919) At the Concert, 1880 Oil on canvas, 99 x 80 cm The Sterling and Francine Clark Art Institute, Williamstown.As the first artist to make the theatre box a subject for modern painting, Renoir drew on this popular visual culture, which would also have shaped the context in which his paintings were viewed. The opera glasses are a clue to this, the man behind points his high, clearly not directed at the stage. This Impressionist painting lives up to that reputation.Soft hues flatter the man and woman in the painting, showing the elegance of Parisian living at that time.
She can mean as much to the modern woman, caught between the desire to be appealing and the post feminist expectation to be disdainful of the male gaze; we can see just as much of ourselves in her. Technological advances had lead to the production of chemical pigments. The painting depicts a young couple in a box at the Paris theatre. Its depiction of an elegant couple on display in a loge, or box at the theatre, epitomises the Impressionists’ interest in the spectacle of modern life. The unpredictability of its topic and its virtuoso strategy set up the craftsman's notoriety for being one of the pioneers of Impressionism. However some were just interested in finding women to seduce.
I found a fascinating parallel between the opera glasses of the Impressionist time and the social media of our time…I have put it on my blog.Fill in your details below or click an icon to log in:Post was not sent - check your email addresses!Sorry, your blog cannot share posts by email.A Feminist Re-Interpretation of Renoir’s ‘La Loge’ | Personal Interpretations,Part 3 Analysis of four paintings or sculptures | kerry513852,https://personalinterpretations.wordpress.com/2012/03/12/pierre-auguste-renoir-la-loge-1874/. Depictions of men with over-sized opera glasses, middle-aged women struggling to maintain their appeal, fathers parading their elegant daughters, and gauche visitors from the provinces, all alluded to the fascination with the audience as a stage for social performance.Edmund wears formal attire, consisting of a gilet, white shirt, starched cravat, black trousers and gold cufflinks, and is typical of an evening dress worn for the elite theatres. Their portrayal of men and women in lavish surroundings is intriguing. The other role viewers are able to take on is that of the female.She is marginally knowing and is very likely to be aware that the man beside her is looking at other women.
He encourages us to consider her perspective on the situation, and question whether we would accept it with such docile knowingness as she would. The painting depicts a young couple in a box at the Paris theatre.
The warm yellow is appropriate for the glowing yellowish light emitted by the gaslights. She leans forward, resting an arm on the ledge, her fan on her lap, an air almost of excitement. With the aid of Hassmann’s revolutionary changes to the urban physique, the number of couturiers rocketed and new inventions such as the sewing machine allowed the mass production of more intricate and elaborate forms of dress.Mr and Mrs Gilbert Lloyd, Nassau, Bahamas,© Copyright 2015-2020 The Courtauld Institute Of Art,Renoir at the Theatre: Looking at La Loge,MA Buddhist Art: History and Conservation,PgDip in the Conservation of Easel Paintings,Financial Support for International Students,Secondary and Sixth Form Online Workshops.
Depicted in her pew, marked only a few elements, it is rather a decoration, setting for the... First exit by Pierre Auguste Renoir “Renoir’s love for the theater was special. The painting is a great interplay of gazes; where usually the viewer is the primary gaze in concern, we are the ones looking, here we become one of the great interchange of looks and expressions. It is implied that she's so used to it in her own group of friends that it no longer merits a reaction. Renoir uses this sense of social uncertainty throughout the painting. It is currently a part of the collection at London's Courtauld Institute Of Art.Renoir is known as a master of Impressionist painting and he has been studied for years by people who enjoy his skill with using light in his work. For hints to this a person studying the painting may look to how she seems to be behaving.At the heart of this insightful artistic creation is interplay between these two figures situated in a theatre box.
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