Frieder Nake studied mathematics at the University of Stuttgart (D), Ph.D. in probability theory in 1967. Retrieve full list. detail hommage à paul klee (nake) Pioneer Work: Herbert W. Franke ... is a co-production of the computer art pioneer Georg Nees and the architect Ludwig Rase.
Combined with the popularity of video and computer games, computing technology began to be a much more familiar sight at home, as well as at work.The late 1970s had seen the births of both Apple and Microsoft and the appearance of some of the first personal computers.
As a student he developed the basic software for the flatbed plotter Zuse Graphomat Z64 at the Computing Center of the Technical University in Stuttgart in 1963. Nake transferred the results of a mathematical problem, outputted by a computer as punch cards, into another computer as …
The performances saw 10 contemporary artists join forces with 30 engineers and scientists from Bell Labs to host a series of performances using new technologies. Its qualities are the potential to generate visual works. ), Cybernetic Serendipity: The Computer and the Arts, Studio International Special Issue, London 1968, pp.77–8. The images comprise three separate series. Much of the new work of this period demonstrated a clear 'computer aesthetic', seemingly more computer-generated in its appearance.This image by Kenneth Snelson was created using a 3D computer animation program. Vienna: Springer. Artists were attracted to the logical nature of the computer and the processes involved.In the early 1970s the Slade School of Art, University of London, established what was later called the 'Experimental and Computing Department'. What had started life as a work-place prank became an overnight sensation.The Slade Computer System, about 1977. 'Oscillon 520', by Ben Laposky, US, 1960.
This was, in part, due to the restrictive nature of the available output devices, for example, pen plotter drawings tended to be linear, with shading only possible through cross hatching. Given by the American Friends of the V&A through the generosity of Patric Prince.In the early 1960s computers were still in their infancy, and access to them was very limited. Courtesy the estate of John Lansdown.Much of the early work focused on geometric forms and on structure, as opposed to content.
E.963-2008. The punched tapes produced by the Graphomat Z64 were then fed into a drawing machine, which created the images. Nake then generated the drawing using a pen plotter. A motif that has been created digitally might then be projected onto a canvas using a digital projector, where the artist can begin experimenting with the pattern or motif in the physical medium of paint. But each of its visual products is a shadow only of the algorithm’ (Nake 2010, p.56).The art historian Grant D. Taylor has argued that Nake’s computer-based methods ‘break with the traditional process of building an image from visual structures, because the input data is merely computing operands’ (Grant D. Taylor.Nake, a mathematician and computer scientist, was among the first to make drawings made using computer programmes. 'Hommage à Paul Klee 13/9/65 Nr.2', a screenprint of a plotter drawing created by Frieder Nake in 1965, was one of the most complex algorithmic works of its day. It is based on a painting by Paul Klee, entitled 'High Roads and Byroads', 1929, now in the Ludwig Museum, Cologne. Given by the American Friends of the V&A through the generosity of Patric Prince.Amongst many things, Bell Labs was particularly influential in the development of early computer-generated animation. Alongside this, inkjet printers developed to become the cheapest method of printing in colour.
Harald Cohen, Manfred Mohr, Frieder Nake and Georg Nees.
Nake underpinned the foundations of his image making with a mathematical logic. Publications by Frieder Nake.
E.147-2009. Frieder Nake is recognized as a pioneer of (digital) computer art. Accompanied by a near identical image placed to its right and viewed simultaneously, the two images would have created the illusion of a 3D environment.James Faure Walker, 'Dark Filament' (detail), 2007.
Nake took his inspiration from an oil- painting by Paul Klee, entitled 'Highroads and Byroads' (1929), now in the collection of the Ludwig Museum, Cologne.Frieder Nake, 'Hommage à Paul Klee 13/9/65 Nr.2', 1965. The tragedy is that the algorithm itself does not often show visual qualities.
This latter process was undertaken using a Zuse Graphomat Z64 electronic tape-punching machine. With the advent of the computer in the 1960s, he added computer science to his roster of talent.
In this way, Nake was able to explore how logic could be used to create visually exciting structures and to explore the relationship between forms. According to the artist Frank Dietrich, Nake began each series by producing a square matrix on a Telefunken T4 computer and filling this with numbers.
The portfolio was published by the artist Hansjörg Mayer in an edition of forty.
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